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An undoubtedly reactive work, this is undiluted and progressive nonetheless. Following his debut, Frank Ocean would continue with his streak of mysterious surprise albums. Despite being released towards the tail-end of summer, it seems that the full liner notes for Frank Ocean's excellent new album Blonde are only just now surfacing.Though he included a list of. It was released on August 20, 2016, as a timed exclusive on the iTunes Store and Apple Music, and followed the August 19 release of Oceans video album Endless. The second interpretation is the symbolism of blonde hair blondes are stereotypically thoughtless and carefree. There's a little more playfulness to go along with the wistful heartache, Ocean's perverse sense of humor shows most when he follows his mother's stern anti-drug message with an ebullient vocal-and-organ number that opens with him "gone off tabs." In the closing "Futura Free," one of several cuts where processing distorts his voice the way a fun house mirror deforms a body, there is much weight to him to remarking "Don't let 'em find Pac/He evade the press/He escape the stress," then declaring "I ain't on your schedule." He's clearly bemused with the industry and fan entitlement. Blonde (alternatively titled blond) is the seconda studio album by American singer Frank Ocean. Frank Ocean claimed he drew inspiration for the album from this picture. The lines regarding relationships are acutely descriptive with frequently abrupt transitions from deep to shallow observations.
Through references to movement, and events that take place in automobiles and swimming pools, Ocean's words continue to be fueled by his memories of youth and young adulthood in summertime, while recreational pharmaceuticals are a factor more than ever. The writing talent on display, however, is irrefutable, whether it's a sharp aside, the precision and economy in the chorus of the Beyoncé-backed "Pink + White," or the agony evoked in "Self Control" (with an outro multi-tracked to pull heartstrings). Over the course of an hour, all the sparsely ornamented ruminations can be a bit of a chore to absorb, no matter how much one hangs on each line. This album ranked 79 on the 2020 Rolling Stone 500 Greatest Albums of All Time list. He's often accompanied by only keyboards or a guitar or two less than one-third of the tracks include the sound of his voice and that of a beat within the same space. Episode Details Eamon O’Flynn is joined by Nathan Smith and Kate Graham to discuss Blonde, the second studio album from American musician Frank Ocean. In terms of pop appeal, none of it approaches "Novacane" or "Thinkin Bout You." The focus is more on Ocean, the extensive list of "album contributors" - possibly a combination of studio collaborators and mere inspirations - notwithstanding. For those who felt the proper debut wasn't forthcoming enough with hooks or traditionally structured songs, this is bound to seem less like a luxurious joyride on a freshly paved motorway than it does an interminable stay in a repair shop waiting lounge. Allusions to parallels between vehicular travel and other aspects of life, such as making music, were drawn, his relief in completing the Channel Orange follow-up made apparent. 17.Boys Don't Cry, the magazine distributed at pop-up locations the day this unlike-titled album was released, featured an essay in which Frank Ocean affably reflected upon his infatuation with cars. IIL albums like Blonde by Frank Ocean or Process by Sampha for their powerful vocals and simple structure, WEWIL Close. It's an impossible task to objectively, or even subjectively, rank the songs on this album, but here is my personal ranking. The most important thing I paid attention to was how powerful the emotion in each song is, which is often the effect of the combination of lyrics and production. The album is also full of excellent, unexpected production, with many switches and distinctive portions of each song. Lyrics are an incredibly important part of Ocean's music, so I had to keep the Genius tab open. After a few listens to the album, it's clear that it's a beautiful and challenging work of art, filled with altered otherworldly vocals, introspective reveals, and gorgeous production, along with a few slightly bizarre spoken word portions.Īs I was attempting the difficult feat of ranking the tracks on Blonde, a lot of factors came into consideration. As Endless is experimental and more of a preview of the full album, it's easier to listen to and rank the tracks on Frank Ocean's Blonde, a more traditional record – although "easy" might not be the best way to describe ranking one of Ocean's new songs over another. After four years of speculation and false starts, Frank Ocean released two albums in two days: the visual album Endless and, a day later, Blonde.